Maggie’s a tough, Boston cop, trying to get her finger on the one man who gave her the slip: a sly crime boss who worked his way into her heart. As she deals with murder, mystery, and intrigue in Boston Harbor, she also has to deal with Frank, an FBI gumshoe with a proposal more dangerous than commie spies, murderous mobs, and McCarthyism combined: marriage.
Maine Crime Writers Staged Reading
Monday, Mar 5 | 6:30pm Reception | 7pm Reading
In conjunction with Red Herring, the Affiliate Artists will read selections from the works of the Maine Crime Writers Chris Holm, Richard J. Cass, Brenda Buchanan, Barbara Ross, and Lea Wait.
For additional discussions, https://portlandstage.wpengine.com/discussions/
- Run Time: 2 hours and 15 minutes. 15 minute intermission.
- Location: 25 Forest Ave, Portland ME
- Dates: Feb 27 - March 25, 2018
- Price: Previews $30-$50; Sat 8pm $34-$54; Wed, Thu, Fri $38-$58; Sat & Sun Matinee $43-$63. Discounts for Seniors, Students, Rush35 and Groups.
Michael Hollinger is the author of Ghost-Writer, Opus, Tooth and Claw, Red Herring, Incorruptible, An Empty Plate in the Café du Grand Boeuf, and Tiny Island, all of which premiered at Philadelphia’s Arden Theatre Company. These plays have enjoyed numerous productions around the country, in New York City, and abroad. His musical A Wonderful Noise (co-authored with Vance Lehmkuhl) has received the Frederick Loewe Award for Musical Theatre, the “In the Spirit of America” Award from the Barbara Barondess MacLean Foundation, and a developmental production at Creede Repertory Theatre. His translation/co-adaptation (with Aaron Posner) of Cyrano de Bergerac premiered in 2011 at the Folger Theatre in Washington, D.C. Other awards include a Harold & Mimi Steinberg New Play Citation from the American Theatre Critics Association, a Roger L. Stevens Award from the Kennedy Center’s Fund for New American Plays, a Mid-Atlantic Emmy Award, an Edgerton Foundation New American Plays Award, the F. Otto Haas Award for an Emerging Theatre Artist, three Barrymore Awards for Outstanding New Play, a Los Angeles Drama Critics Circle Award, nominations for Lucille Lortel and John Gassner Awards, and fellowships from the Independence Foundation, Mid-Atlantic Arts Foundation, and Pennsylvania Council on the Arts. Michael is an Associate Professor of Theatre at Villanova University, and a proud alumnus of New Dramatists.