Conceived & Developed by Abigail Killeen | Written by Rose Courtney
Adapted from the short story by Isak Dinesen
Babette’s Feast tells the story of how a refugee transforms a closed religious community by sacrificing all she has to throw a lavish dinner party. Through her radical hospitality, this mysterious woman converts her guests’ deeply held notions of scarcity and judgment and opens them up to give and receive abundant grace. This adaptation re-imagines the story you thought you knew about Babette’s singular feast: deep, funny, dangerous, sensual, and beautiful.
This production of Babette’s Feast is made possible by the generous support of Jennifer Carolyn King & Timothy Fredel, the Rugged Elegance Foundation
Portland Stage is proud to be partnering with Wayside Food Programs on a Food Drive during the run of Babette’s Feast. Please bring your donation to the theater and help us reach our goal of 500lbs by February 18th!
Wishlist: Rice, Canned fruit (low or no sugar), Canned Tuna Fish, Canned Beans, Tomato sauce, Granola or cereal bars, Peanut butter, Healthy Kid’s Snacks, Mac & Cheese
Questions? Please call 207.774.1043 x110 or email the Development Office.
Born in Brooklyn, NY, Michelle Hurst has had an extensive career in theatre, film and television, playing everything from judges, lawyers, and doctors to irate mothers, ghostly slaves, and Henry James. Ms. Hurst’s film credits in feature and independent films include Jean of the Joneses, Airheads, Sherrybaby, The Night We Never Met, Smoke and Frances Ha.
Theatre has always been her first love and she has performed at The Williamstown Theatre Festival, Long Wharf Theatre, NYSF/The Public Theater, Soho Rep, Nuyorican Poets Cafe, and The Arts Center of Coastal Carolina, among others. She has also performed a one-person play, In This Place…, at the Downtown Arts Center (Lexington, KY); 651 ARTS and The Irondale Ensemble Project (Brooklyn, NY); The Kitchen Theatre (Ithaca, NY); and The Painted Bride Theatre (Philadelphia, PA).
Her television credits include major roles on BBC1’s Last Tango in Halifax, Broad City, The Good Wife, Blue Bloods, multiple episodes of all three Law & Order shows, and Sex and the City. Soon she will be seen in Chris Piazza’s film short “Baby, Won’t You Please Come Home,” as a former jazz singer battling Alzheimer’s and ruthless realtors. Michelle is probably most recognized for her portrayal of Miss Claudette Pelage on the award-winning Netflix series, Orange is the New Black.
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- Run Time: 1 hour and 35 minutes. No Intermission.
- Location: 25 Forest Ave, Portland ME
- Dates: Jan 23 - Feb 18, 2018
- Price: Previews $35-$55; Sat 8pm $39-$59; Wed, Thu, Fri $43-$63; Sat & Sun Matinee $48-$68. Discounts for Seniors, Students, Rush35 and Groups.
Rose Courtney is a playwright and actor whose work has been seen at Keen Company, Cherry Lane Theatre, Ensemble Studio Theatre, Lark Theatre Company, George Street Playhouse, Hudson Valley Shakespeare Festival, Lincoln Center Directors Lab, Dorset Theatre Festival, and HERE Arts Center, among others. She was educated at Vassar College and received her theatre training at RADA, the Eugene O’Neill Center’s National Theatre Institute and New Actors Workshop. She was an original member of Project 400 Theatre Group, where she collaborated on many new theatre pieces under the direction of Diane Paulus. A member of the Dramatists Guild, Rose resides in New York City and is currently working on a play called Varya.
Conceived & Developed by
Abigail Killeen is a theater artist based in Portland, Maine. She is an Affiliate Artist at Portland Stage, Maine’s only LORT theater, where she performs regularly, as well as with other New England theaters, specializing in new and developing theater projects. She is a company member with Compagnia de’ Colombari, an international theater company based in New York. Abigail’s particular interests include generating theatrical projects for women that investigate grace and transformation. Her original performance version of Virginia Woolf’s “Mark on the Wall”, created with Adrianne Krstansky, premiered in Chicago, she was awarded a grant from the Maine Arts Commission to produce a solo performance work as part of Portland Stage’s Studio Series, and she will perform in this adaptation of Babette’s Feast. Abigail has served on the theater faculty at Bowdoin College since 2008.
Isak Dinesen (Karen Blixen) was born at her family’s estate near the town of Rungsted, Denmark in 1885. An imaginative and artistic child, she attended the Royal Academy in Copenhagen and also studied in England, Switzerland, Italy, and France. Blixen wrote in English and then translated her stories into her native Danish, resulting in unusually beautiful prose which emphasized her self-declamation as a fortaellerske – an oral storyteller. In 1914 she married Baron Bror Blixen-Finecke and traveled to Kenya where they started a coffee plantation. The marriage was difficult and the couple eventually divorced. While in Kenya she met Denys Finch Hatten and the two maintained a romance until his death in an airplane accident in 1931. Soon afterwards Blixen returned to Denmark and began to write in earnest. She was nominated twice for the Nobel Prize in Literature, and her memoir Out of Africa as well as Babette’s Feast have been adapted into Academy Award-winning films. She continued to write until her death at the age of 77 in 1962.
Karin Coonrod founded the downtown theater ensemble Arden Party (1987-1997), and the international Compagnia de’ Colombari (2004-current), based in Orvieto, Italy and New York City. Coonrod has directed at American Repertory Theatre, Hartford Stage, the Folger Theatre, the New York Shakespeare Festival/Public Theater, New York Theatre Workshop, Theatre for a New Audience, La Mama and BAM/Next Wave Festival. Notable productions include Shakespeare’s Henry VI, King John and The Merchant of Venice; the American premiere of Vitrac’s Victor Or Children Take Over; Monteverdi’s Orfeo; the world premiere of Visky’s I Killed My Mother. She has staged Flannery O’Connor’s short stories (Everything That Rises Must Converge), Walt Whitman’s Song of Myself (retitled More Or Less I Am); and her own texts&beheadings/ElizabethR. The New York Times called her “prodigiously inventive” and The New York Observer hailed her “clear-eyed imaginative intelligence.” She was artist-in-residence at Stanford, Harvard, Columbia, Fordham, University of Iowa and California Institute of the Arts and is on the faculty of Yale School of Drama.